Published in Art & Museum Magazine, Spring Issue 2017 (The Inaugural Issue)
Flanked by two Eileen Gray chairs, Cy Twombly’s 1982 Naxos triptych is displayed. On the adjacent wall, Rudolf Stingel’s aluminium covered Celotex insulation board (Untitled, 2002) is juxtaposed against a Jean-Michel Frank minimalist shagreen cabinet. The pieces carry an underlying intellectual rigour that helped redefine 20th-century design, as well as Contemporary art. Engendering a haphazard narrative, the four works coalesce to form a different kind of dialogue, one that is distinct from the museum realm. Moving away from the white cube, these privately owned oeuvres – now housed in an Eaton Square townhouse – are cloistered from the rest of the world. Their chance placement and the consequential visual exchange it creates was not the work of a museum professional but rather of Jacques Grange, the esteemed French interior designer who rose to prominence after decorating Yves Saint Laurent and Pierre Bergé’s Paris residence.